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    рм╕рмирнНрмзрнНрнЯрм╛ рмжрнАрмкрм░ рм╢рм┐рмЦрм╛

    100.00

    SHORT DESCRIPTION:

    “Sandhya Dipara ShikhaтАЭ is a notable Odia novel written by the prolific author Bibhuti Pattnaik. It tells the poignant and heartfelt story of Madhav, an expert mason who has built many homes for others, but whose own family life tragically falls apart due to the anger and greed prevalent in modern society. The novel delves into themes of human relationships, the impact of societal changes on individuals, and the struggles of ordinary people in a world increasingly driven by material desires. Bibhuti Pattnaik is known for his nuanced portrayal of characters and vivid descriptions, and “Sandhya Dipara Shikha” is considered one of his famous works that explores the complexities of life with emotional depth.

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    рм╕рнНрммрм╛рмзрнАрмирмдрм╛ рмкрм░рммрм░рнНрмдрнНрмдрнА рмкрнНрм░рморнБрмЦ рмУрмбрм╝рм┐рмЖ рмЙрмкрмирнНрнЯрм╛рм╕

    585.00

    SHORT DESCRIPTION:

    “Swadhinata Parabartee Pramukha Odia Upanyasa (1947-2020)” by Dr. Brahmananda Khuntia is a critical work that explores the world of influential Odia novels published between 1947 and 2020. The book is a valuable resource for anyone interested in Odia literature, as it provides a comprehensive look at the evolution of the novel form in Odisha during a crucial period of its history. It is a work of literary criticism that examines the major themes, styles, and authors that have shaped post- independence Odia fiction.

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    рм╕рм╛рм╣рм┐рмдрнНрнЯрм░ рмХрм╛рнЯрм╛рмХрм│рнНрмк

    275.00

    SHORT DESCRIPTION:

    Sahityara KayakalpaтАЭ (р╣Ар╕Ир╕┤р╕Ф р╕Д) is a book written by Dr. Benudhar Padhi. It falls under the genre of criticism and essay in Odia literature. The title, “Kayakalpa,” translates to “transformation” or “rejuvenation,” suggesting that the book likely explores the evolution, changes, or perhaps even a proposed revitalization of literature, specifically Odia literature.As a work of criticism and essay, it would delve into various aspects of literary theory, analysis of existing literary works, or discussions on the direction and future of literature.

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    рм▓рнЛрмХрм╕рм╛рм╣рм┐рмдрнНрнЯ рмУ рм▓рнЛрмХрм╕рм╛рм╣рм┐рмдрнНрнЯ рмдрмдрнНрмдрнНрм╡

    394.00

    SHORT DESCRIPTION:

    рмбрмХрнНрмЯрм░ рммрнЗрмгрнБ рмзрм░ рмкрм╛рмврм╝рнА рмЩрнНрмХ рмжрнНрм╡рм╛рм░рм╛ рм▓рм┐рмЦрнВрмд рм▓рнЛрмХрм╕рм╛рм╣рм┐рмдрнНрнЯ рмУ рм▓рнЛрмХрм╕рм╛рм╣рм┐рмдрнНрнЯ рмдрмдрнНрмдрнНрмм рммрм╣рм┐рмЯрм┐ рмУрмбрм┐рмЖ рм▓рнЛрмХ рм╕рм╛рм╣рм┐рмдрнНрнЯрм░ рммрм┐рмнрм┐рмирнНрми рм░рнВрмк рмПрммрмВ рмзрм╛рм░рм╛: рмПрмерм┐рм░рнЗ рм▓рнЛрмХрмХрмерм╛, рмЧрнАрмд, рмкрнНрм░рммрм╛рмж, рмкрнНрм░рммрм╛рмж, рмкрнБрм░рм╛рмг, рм░рнАрмдрм┐рмирнАрмдрм┐ рмПрммрмВ рмЕрмирнНрнЯрм╛рмирнНрнЯ рмкрм░рморнНрмкрм░рм╛ рмЕрмирнБрм░рнНрмнрнБрмХрнНрмд рм╣рнЛрмЗрмкрм╛рм░рнЗ |

    рм▓рнЛрмХ рм╕рм╛рм╣рм┐рмдрнНрнЯрм░ рмЕрмирнНрмдрм░рнНрмирм┐рм╣рм┐рмд рмдрмдрнНрмдрнНрмм рмПрммрмВ рмирнАрмдрм┐: рмПрм╣рм╛ рм╕рм╛рмВрм╕рнНрмХрнГрмдрм┐рмХ рмПрммрмВ рм╕рм╛рморм╛рмЬрм┐рмХ рмкрм░рм┐рмкрнНрм░рнЗрмХрнНрм╖рнАрм░рнЗ рм▓рнЛрмХ рм╕рм╛рм╣рм┐рмдрнНрнЯрм░ рмЧрнБрм░рнБрмдрнНрм╡ рмЕрмирнБрм╕рмирнНрмзрм╛рми рмХрнЗ рммрнИрм╢рм┐рм╖рнНрмЯрнНрнЯ, рмХрм╛рм░рнНрмпрнНрнЯ, рммрм┐рммрм░рнНрмдрнНрмдрми рмПрммрмВ рмХрм░рнЗред

    рм▓рнЛрмХ рм╕рм╛рм╣рм┐рмдрнНрнЯрм░ рммрм┐рм╢рнНрм│рнЗрм╖рмг рмПрммрмВ рм╕рморм╛рм▓рнЛрмЪрмирм╛рморнВрм│рмХ рмЕрмзрнНрнЯрнЯрми: рмбрмХрнНрмЯрм░ рмкрм╛рмврм╝рнА рм╕рморнНрмнрммрмдрмГ рм▓рнЛрмХ рм╕рм╛рм╣рм┐рмдрнНрнЯ рмХрм┐рмкрм░рм┐ рмПрмХ рм╕рморнНрмкрнНрм░рмжрм╛рнЯрм░ рммрм┐рм╢рнНрммрм╛рм╕, рморнВрм▓рнНрнЯрммрнЛрмз, рмкрнНрм░рмерм╛ рмПрммрмВ рмЗрмдрм┐рм╣рм╛рм╕рмХрнБ рмкрнНрм░рмдрм┐рмлрм│рм┐рмд рмХрм░рнЗ рм╕рнЗ рммрм┐рм╖рнЯрм░рнЗ рмЕрмирнБрмжрнГрм╖рнНрмЯрм┐ рмкрнНрм░рмжрм╛рми рмХрм░рмирнНрмдрм┐ред

    рмкрнНрм░рм╛рмЪрнА рм╕рм╛рм╣рм┐рмдрнНрнЯ рмкрнНрм░рмдрм┐рм╖рнНрмарм╛рми рмжрнНрммрм╛рм░рм╛ рмкрнНрм░рмХрм╛рм╢рм┐рмд, рмПрм╣рм┐ рмкрнБрм╕рнНрмдрмХрмЯрм┐ рмУрмбрм╝рм┐рмЖ рм▓рнЛрмХ рмкрм░рморнНрмкрм░рм╛рм░ рмЕрмзрнНрнЯрнЯрми рмкрм╛рмЗрмБ рмПрмХ рмЧрнБрм░рнБрмдрнНрммрмкрнВрм░рнНрмг рмЕрммрмжрм╛рми рмПрммрмВ рмкрнНрм░рм╛рнЯрмдрмГ “рмУрмбрм╝рм┐рмЖ рм╕рм╛рм╣рм┐рмдрнНрнЯ рм╕рмВрмХрм│рми” (рмУрмбрм╝рм┐рмЖ рм╕рм╛рм╣рм┐рмдрнНрнЯ рм╕рмВрмЧрнНрм░рм╣) рммрм░рнНрмЧрм░рнЗ рморм┐рм│рнЗред

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    рм╕рм╛рм╣рм┐рмдрнНрнЯ рмдрмдрнНрмдрнНрм╡

    292.00

    SHORT DESCRIPTION:

    “Sahitya Tatwa: Prachya Paschatya” by Dr. Benudhar Padhi is a book that delves into the principles of literary theory, specifically comparing and contrasting Eastern (Prachya) and Western (Paschatya) perspectives. It examines how different cultural and philosophical traditions have shaped the understanding and analysis of literature. The book likely explores various literary concepts, critical approaches, and aesthetic values from both Eastern and Western schools of thought, offering a comprehensive look at the diverse landscape of literary theory.

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    рмУрмбрм┐рмЖ рм╕рм╛рм╣рм┐рмдрнНрнЯрм░ рм╕рмВрмХрнНрм╖рм┐рмкрнНрмд рмЗрмдрм┐рммрнГрмдрнНрмд

    337.00

    SHORT DESCRIPTION:

    Odia Sahityara Sankhipta Itibruti by Dr. Nirod Kumar Mantri is a book on Odia literature. It is described as a compilation book, suitable for students preparing for various entrance and competitive examinations, such as the UGC, NET, JRF, and postgraduate (PG) entrance exams. The book, written in the Odia language, is published by Prachi Sahitya Pratisthan in Cuttack. It falls under the genre of criticism and essays and is often categorized as a guide for academic and competitive exams focused on Odia literature.

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    рмУрмбрм┐рмЖ рм╕рм╛рм╣рм┐рмдрнНрнЯрм░ рм╕рмВрмХрнНрм╖рм┐рмкрнНрмд рмЗрмдрм┐рм╣рм╛рм╕

    404.00

    SHORT DESCRIPTION:

    “Odia Sahityara Sankshipta Etihasa”which translates to “A Brief History of Odia Literature,” is a book written by Dr. Benudhar Padhi. As the title suggests, the book provides a concise overview of the rich and ancient history of Odia literature. It likely covers various periods, prominent authors, significant literary movements, and key works that have shaped Odia literary tradition. Such books are invaluable resources for students, researchers, and anyone interested in understanding the evolution and development of a regional literature like Odia.

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